![]() ![]() This would take an eternity, and you might feel demotivated to continue halfway through because it's so much tedious work and the composition ends up far too stiff for your liking. Another approach you could take is the following instead of designing and drawing the entire castle, you could just include one or two of the castle towers in the background and the viewer will imagine the rest of the castle attached to these towers. You could spent a lot of time and effort designing and drawing an entire castle in the right perspective with all kinds of small details such as the individual bricks of the castle. Human brains are well-trained in recognizing patterns based on their experiences, and as an artist, you should try and take advantage of this!įor example, imagine you want to draw a castle in the background of your art. Oftentimes, a suggestion of an object can be enough for the viewer to 'complete the scene' for themselves, with little effort of the artist. One of the most powerful tools for an artist is being able to speak to the imagination of the viewer. I would like to address this as a separate point from anything else I am going to say in this article, because in my opinion this is one of the most important things to know when it comes to art, especially in the case of backgrounds. Thumbnails are small-scale sketches that can be as rough as you like, but are meant to test out a few ideas quickly, from which you can pick the best and base the main sketch on that tumbnail. If you have enough inspiration but are really at a loss when it comes to where to start, it might be useful for you to start out with a few thumbnails. When you heavily reference a resource, don't forget to don't forget credit the original when you submit online. If you look at the example above, I have taken the idea of a small round gazebo in the background, but I did not directly copy the design. Especially when taking inspiration from the works of other artists, be aware of the difference between taking inspiration from a certain artwork you like or blatantly copying concepts or backgrounds in obvious ways. Of course, it is important that you are responsible with your use of references and resources. A quick Google search will often already find you some good reference images if you're stuck. This applies to all aspects of your artwork if they're available, use them! It's very hard to make a background look believable just from memory or imagination alone, especially when it comes to rendering. Sites such as Pinterest can also be really helpful for browsing for inspiration and storing images you like! You can mix and combine images that fit your ideas or inspire you and make a collage.ĭon't be afraid to use references. That's why I like to take inspiration from all kinds of resources pictures I find online or that I have taken myself, work from other artists, and so forth, and have folders on my computer where I store images that I find interesting. I often have a general idea of what I want to do with the background if I start on an artwork, but it's hard to work from that alone. Nonetheless, there are things that are good to know for all types of backgrounds, so let's have a look! Different types of backgrounds can require different skills, for example, cityscapes are often more demanding when it comes to perspective, while nature may require better rendering skills. Other themes that are often used for more complex backgrounds are nature, landscapes, cityscapes, skies, rooms, buildings, and many more. and so on) with simplicity, like in the examples below Depending on what you're going for, even a monotonous or abstract background can have a great impact! It can be very powerful to balance great detail (in your foreground, extra objects, characters. It's definitely not the only or the 'right' way to approach backgrounds, and of course I'm still learning too, so I just hope you find this advice useful!įirst of all, it's important to note that a background doesn't have to be an incredibly realistic detailed painted landscape to be considered 'good' or 'amazing' even. ![]() Having struggled my way through this myself, I'd like to share some advice and my thoughts on approaching more complex backgrounds or how to start. And, since backgrounds can sometimes very much be considered as pieces of art on their own they requires essentially as many various skills as drawing anything else. A mix of scary technical terms such as 'perspective', 'composition', 'lighting', 'values' and so forth is often associated with them, which can easily seem overwhelming. ![]() In my experience, backgrounds are often seen as difficult and/or challenging, especially by beginning artists, and many tend to avoid complex ones in the beginning.
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